Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.38 m Filter Diameter: 82 mm Size: 87.6 mm (diameter) x 136 mm (length) Weight: Approx. I could go on and on about this lens, but to cut a long story short, the 35mm f/1.4 has made me confident that my switch from Nikon to Sony for my wedding photography work has been a wise one. However, in most normal daylight situations, the lens/camera locked onto the subject fast enough, and it wasn’t an issue. Many photographers come to Sony from Nikon or Canon, so their first question is whether they can still use their existing non-native lenses on their new Sony body. Let’s just say that if sharpness, clarity and low-light performance/ability to blur the background is most important to you, carry on reading ;-), 16-35mm is an extremely useful focal range for all types of photographer. It’s lack of zoom forces people to really get close to get composed shots. Basic Guide to Camera Lenses for Beginners. 154 g. Still on the topic of small, lightweight lenses that pair perfectly with Sony mirrorless cameras, the Sony 35mm f/1.8 deserves pride of place in this list. I’ve selected the lenses above based on my own personal experience (thanks Sony USA/Australia/Japan for the loans!). Simple – because it’s the best. 35mm is ideal as a walkaround lens, wise enough for landscapes or architecture and still good for an environmental portrait. A real workhorse that delivers great-looking images over and over, and allows you to shoot in near darkness with no flash. This lens is less than $239 on Amazon.com. The list above will help you buy the best Sony e-mount mirrorless lenses this year. I was pleasantly surprised with how much bokeh can be produced at f/2 with this lens. Colour rendition is excellent with the Sony 24mm f/1.8, and images are clear, vibrant and contrasty, but this obviously depends too on the camera used. So for a crop sensor prime lens such as the 24mm f/1.8 to cost almost as much as the camera itself (see latest price here), you’re going to ruffle some feathers amongst hobbyists! It is best suited for landscapes, unlike the Sony FE 85mm f/1.4 GM or the Sony FE 90mm f/2.8 G OSS. The lens is compatible with both the full-frame and the APS-C formats and therefore gives a tighter view of a scene. This roundup has been updated to include both native Sony FE lenses for full frame, Sony APS-C lenses for crop sensor, and the latest range of Sigma Art lenses for Sony. One nice touch is the aperture ring which allows aperture adjustments to be made on the lens. by James Madison. The Sony FE 85mm f/1.8 is designed for the Sony E-mount full-frame camera systems. With the ever-expanding range of Sigma Art lenses for e-mount in addition to Sony’s own offerings, the allure of using non-native glass on your Sony camera is dwindling. Will Sony FE lenses work on a6000, a6300, a6400 & a6500 bodies? Since it can’t zoom in, it makes a better camera for new photographers. The results? The fast 35mm prime lens is a stable of the wedding photography industry, partly for its ability to suck in more ambient light when light levels are low, and partly due to its gorgeous bokeh. The prime lens we recommend as a first purchase for E-mount shooters is the Sony E 35mm f/1.8 OSS lens. It’s one of the best wide-angle lens for most Sony photographers and videographers. In this post we will look at the best E-mount lenses compatible with Sony’s range of APS-C mirrorless cameras, whether Nex (5,6,7) or Alpha (a3000, a5000, a6000, a6300, a6400 or 6500…). You don’t buy the Sony 16-35mm f/2.8 as a replacement to your 35mm prime lens. I’ve owned numerous iterations of a 35mm lens over my years shooting DSLRs, and so the 35mm f/1.4 was a simple choice as the first lens to buy with my a7R III. However, I believe that this roundup provides a solid selection of all-round lenses that give the best bang for the buck, or simply provide the absolute best image quality at a given focal length. Weighing in at 680g, this is one chunky lens, similar in proportions to the 35mm f/1.4 described above. DXO Mark compared the Sony 85mm f/1.8 with the other Sony/Zeiss 85mm variants and found it to be the sharpest of the bunch. Let’s break those words and abbreviations down: Other Sony lens abbreviations you may see include: In the reviews below, I’ve removed the superfluous lettering after the main elements of each lens name in the interests of simplicity – feel free to click through to each lens on Amazon to see the entire lens name. Third parties like Venus and Voigtlander only sell manual focus glass, but others like Samyang, Rokinon, and Zeiss have both … It’s hard after all to differentiate between very good and great, when lens quality is already more than most of us will ever need. 35mm is also a great focal length as discussed previously, but the advantage of this lens isn’t to be able to shoot at 16mm or 35mm, but rather, having the flexibility to alter the field of view between these two distances. I actually prefer this construction over an all-metal lens, since they’re just so much lighter. Sony a7RIII + 35mm f/1.4 FE | © Gold Hat Photography. Highly recommended! It could be the only lens you ever need. Silent shooting is useful in a whole range of situations, but my favourite place to use lightweight wide angle lenses like the 28mm f/2 is on the dance-floor. Yes there’s an f/4 Zeiss version and even a 28-70mm f/3.5-5.6 Sony offering too… but they’re all outperformed by the 24-70mm f/2.8. Mark Condon is a British wedding photographer based in Australia and the founder of Shotkit. 28mm allows you to get up close to the action, whilst still providing enough ‘room’ in the frame to tell the story via the background, or other foreground elements. f/2.8 used to be considered sub-par for low-light photography, but with the high ISO capabilities of full frame cameras these days, it’s more than adequate. Add in f/1.4 for beautiful subject separation and incredible low-light performance, and you have pretty much the ultimate prime lens for Sony shooters. Will never regret. 00 Sony SELP1650 16-50mm OSS Lens: Sony E PZ 16-50mm f/3.5-5.6 OSS Lens … The lens, however, is good for far shots of people. As a rule of … Most people would want a lighter lens than this. Whilst this is a cost-effective way to create 3 focal lengths, it should also be noted that using converters in this way diminishes the amount of light that can enter the lens – these converters change the f/2 to f/2.8 and f/3.5 respectively, although in good light or when using a tripod, this won’t be an issue. However, it’s still not quite as good as the Sony GM version :-). Lens reviews is a collection of real world tests and reviews of vintage lenses adapted to Sony e-mount, mirrorless cameras - the A7s, A7iii, a6500, and a6000. Distortion is typical for a 24-70mm lens, with pronounced barrel distortion at 24mm, although it’s all easily fixable in Lightroom. The maximum that the lens aperture can open up to is f/1.8. November 12, 2020 ... You can adapt almost any lens on Nikon Z. Techart has a Sony E mount … Made in Thailand, this is the best budget E-Mount lens for your Sony camera. Well, this Sony 85mm f/1.8 was the third lens I settled on. Its wide aperture allows for better pictures in poor lighting. As with all Zeiss lenses, build quality on the 55mm f/1.8 is excellent, with a metal barrel and a solid, high quality feel. 24mm is wide enough to get the entire church or that epic landscape shot, and 70mm gives beautiful compression for a bridal portrait. If you own a full frame Sony body (lucky you! Sony NEX 7 + 24mm f/1.8 | © Alan Chen Photography. Filter … If you want the best wide angle lens for your Sony E-Mount, I highly recommend this Viltrox 20mm. While Sony has plenty of e-mount lenses, it can be hard to choose the right one. It’s a well-rounded lens. Sony E Mount lenses are designed for Sony mirrorless camera bodies. Sony a7RII + 24-70mm f/2.8 | © C-Gee Photography. That may sound strange, but it’s true. So focus is fast and quiet. If you want the best wide angle lens for your Sony E-Mount, I highly recommend this Viltrox 20mm. Autofocus, electronic aperture APS-C E ... the autofocus version of the similar full frame manual focus … Sony a7RIII + 28mm f/2 FE | © Gold Hat Photography. Furthermore, it’s a more affordable, better alternative to the one from Canon. The Sony a7 and Sony a9 series are full frame mirrorless cameras, so must use the FE range of lenses which have been designed to cover the entire 35mm sensor. Highly recommended! Its light weight and diminished size make it a perfect walk-around lens when mounted to a Sony mirrorless camera, making this lens an extremely popular choice with street photographers. Well those days are no more – the 24-70mm f/2.8 is just as sharp than any Sony prime lens I’ve ever shot with – it’s up there with the Sony 55mm we discussed earlier, and all this from a lens that can take you from wide angle to portrait in one twist! Kamlan 50mm F1.1 APS-C Large Aperture Manual Focus Lens Standard Lens for Mirrorless Cameras (Sony E Mount) 4 $159.00 $ 159 . What’s else? Smooth and quiet operation makes this the best Sony for video shooting. With the sun at your back, images out of the Sony 24-70mm f/2.8 are vivid, sharp, contrasty and extremely sharp. Using Canon lenses on a Sony body is definitely possible via adapters like these, and it’s fun to experiment with other 3rd party lenses too, but I always recommend using a native lens where possible. This allows the company to manufacture more compact imaging devices while maintaining compatibility with 35mm sensors. As you’d expect from the price tag of a G Master lens, image quality out of the Sony 16-35mm f/2.8 is nothing short of incredible. Sony E-mount lenses feature optical designs and control technology that minimise breathing. It makes the camera a joy to hold, has excellent image quality and won’t break the bank. The Standard E-mount series is ideal for the APS-C and Super-35mm image format. Colour rendition is obviously also dependent on the camera used, but at least with the 55mm f/1.8 , you’ll know it’s not the lens letting you down! Whilst slight barrel distortion is still apparent, it’s nothing to worry about, and easily corrected upon import to Lightroom. However, it is a tad smaller, and paired with a Sony A7 or A9 body, it actually feels pretty good – the narrowing of the lens where it meets the camera body creates a comfortable space for the fingers of your non-camera-holding hand to rest. When tested on my a7R III and a a6000, I found auto focus speeds to be just as snappy as the fastest DSLR lenses I own, and much quicker than the Sony 50mm offerings. I was on the fence for a while whether to include the excellent Sony FE 35mm f/2.8 here instead, but realised that my love for that lens was mostly due to its size rather than its optical performance. What we don’t: Wide… I have to say that the auto-focus speed of the 35mm f/1.8 when mounted to the Sony a6000 wasn’t amazing, especially when the subject was heavily back-lit. … Based on the past few months I’ve had testing a selection of the lenses, these are the ones that I’ve chosen as a solid base for any Sony full frame or cropped sensor e-mount camera owner. The quality of the bokeh really is great, with round and clean highlights throughout the focal length, thanks to 9 rounded aperture blades. Shop by focal length such as 24mm, 14mm, 35mm Here’s an example of a lens that’s quite a mouthful: Sony lens naming conventions can be a little confusing…. Aside from that, there isn’t much to complain about. See where I’m going here? Although the Sony APS-C sensor does a good job in sucking in as much light as possible, due to the limitations of the smaller sensor size, images captured in low-light at higher ISOs can become rather noisy. It’s a pricey beast of a lens, but it could be the only lens you ever need. That lets in an incredible amount of light. What we like: Lightweight and sharp. The overall image quality for this lens is stunning. Canon TS-E 24mm II with Metabones to Sony FE mount. I don’t want to spend too long trying to compare these two excellent lenses, since neither is the ‘right’ choice. For those who love doing street photography and video shooting, you should buy this Sony 18-135mm e-mount zoom lens. Yes, at a 1.5x focal length and maximum aperture multiplication. Rokinon/Samyang/Bower E-Mount APS-C Lenses Rokinon, Samyang and Bower offer manual focus E-mount lenses designed for Mirrorless APS-C cameras. Sony FE 12-24mm f/4 G. If you want to get everything in the frame, this is for you. At half the weight of the camera body, it’s the perfect complement to the slender Sony APS-C sensor bodies. If you’re coming from another camera system, investing in two Sony mirrorless full frame bodies and several lenses may be out of your budget. Its size/weight went well with the smaller bodies, and the impeccable Carl Zeiss optics made the most of the A7R’s 36MP sensor. At the end of a long wedding day, the last thing I want to attach to the front of my camera is a big, heavy lens like a 24-70, and 28mm allows you to get stuck right into the crazy dance-floor action, making the viewer feel truly immersed. One problem with it is its weight. One downside with f/1.4 lenses across the board is their size/weight. If you own a Sony crop sensor body and crave the the advantages and flexibility of using a ‘real’ 35mm lens (as opposed to one that’s labeled ’35mm’, but converts to around 50mm on APS-C), the 24mm f/1.8 is simply the best lens you can buy. There’s clearly a lot of choice for Sony shooters in 2021. Owners of the Sony 16-35mm f/4 Zeiss OSS may not want to read any further, but let me just say this before digging deeper – the Zeiss version is smaller, lighter, cheaper, and can deliver outstanding results. Bokeh produced by the 35mm f/1.4 is simply amazing. 630 g. Still on the classic 35mm focal length, the Sony 35mm f/1.4 is my recommendation for Sony full frame shooters. Wide angle lenses can’t really create much out-of-focus elements unless you get really close to the subject, but when you do, the Sony 28mm f/2 does a great job at creating subject separation. While it is hard to beat this e-mount lens, you will want another lens for taking close-ups of people. Both the Canon and Nikon offerings top the scales at around 600 g (21.2 oz. The A-mount is used on Sony Unique Translucent Mirror (essentially DSLR) cameras. On a cropped sensor Sony mirrorless camera, this lens will give roughly a 50mm field of view (52.5mm), which is ideal for a whole range of subjects. The Best Sony Macro Lens for 2021. The cameras used for testing were the full frame a7R III (reviewed here), the a7 III (reviewed here), and the crop sensor a6000 (reviewed here). If you’re looking for the sharpest lens at a useful, flattering focal length, it’s hard to beat the 55mm f/1.8. With its fast shutter, it avoids blurs effortlessly. Zeiss E-Mount Lens Guide >> Sigma E-Mount Lens Guide >> Tamron E-Mount Lens … Since APS-C sensors are smaller, the FE lenses can also be used on the Sony APS-C sensor range (also known as NEX), albeit at a 1.5x focal length and maximum aperture multiplication. 281 g, Let’s start this review off with one of the sharpest lenses ever produced… all the way back in 2013! At f/2.8, the 24-70mm f/2.8 is impressively sharp in the centre of the frame across the entire focal range. Compatibility: Crop Sensor (E) Minimum Focus: 0.16 m Filter Diameter: 49 mm Size: 63 mm (diameter) x 65.5 mm (length) Weight: Approx. I wouldn’t want to drop it (obviously! However, for half the price, I’d recommend you check out the f/4 variants too. Despite different branding, the … Zooming in 100% on images shot with the 55mm f/1.8 attached to a 42MP a7R III is mind-blowing – individual eye lashes look like wires on head shots which fill the screen with the 55mm. If you’ve just blown your budget on a new Sony full frame mirrorless camera and can only save up for one lens, the 28mm f/2 would be my recommendation. Carl Zeiss 135mm f/2 APO-Sonnar for Canon EOS with Metabones to Sony FE mount. For any photographer who needs a versatile portrait focal length at a good price, which complements the size of a Sony mirrorless camera. In fact, I’d go as far as to say it’s my favourite lens for a crop sensor Sony body such as the a6000. This lens mount adapter allows any Canon EF/EFS Lens to fit on any Sony E-mount mirrorless camera perfectly. In combination with the fast f/1.8 aperture, this is another reason that the 35mm f/1.8 is so good for low-light shooting. Sony a7 Series: The Best Digital Cameras for Manual Focus Film Photographers. Copyright © 2019 Sweet Memory Studio – Sweet Memory Studio helps photographers and most people find the best cameras, photography gears, accessories, and digital electronics and gadgets. The best standard wide angle lens available for crop sensor Sony E mount cameras. Fujifilm shooters are ‘limited’ to APS-C or Medium Format, but Sony shooters can decide between crop sensor and full frame.. and most pros choose full frame. 886 g. If you want one lens that can handle pretty much any shooting scenario and produce clear, vibrant and sharp images with incredible detail, the Sony 24-70mm f/2.8 should be at the top of your wish-list. Pixel peeking website DXOMark named it the highest-rated wide-angle zoom, with a sharpness score that blew the Canon/Nikon versions right out the water. As long as you don’t mind the weight of this lens, I really can’t find any reason not to recommend it to any kind of Sony full frame shooter. If you’ve got the bucks, the Sony 16-35mm f/2.8, 24-70mm f/2.8 and 70-200mm f/2.8 a.k.a. The Sony 28mm f/2 is also popular on Sony E mount bodies, providing a 42mm field of view. FE lenses can be used on E mount cameras, but E lenses cannot be used on FE mount cameras. Sony a6000 + 24mm f/1.8 | © Duy Nhât Phan. Thanks to this buying guide you will know exactly which E-mount lens … 371 g. Remember I mentioned that I bought 3 lenses when I switched from Nikon to Sony? Very ideal for sports or nature shooting, the Sony FE 16-35mm G Master has to make this list for this obvious reason. Now that you’ve got over that initial shock, why the heck am I recommending such expensive glass in a roundup that’s supposed to cater for the average photographer?! If you’re coming from another camera system and have always used f/1.4 lenses, give the 85mm f/1.8 a shot before sinking your cash into other options. With the incredible high ISO performance of Sony full frame cameras, you won’t miss the 2/3 of a stop when the sun falls, and you won’t miss it even if you’re a bokeh-whore! 55mm f/1.8 offers a versatile focal length that’s perfect for shooting portraits, and delivers class-leading sharpness and first-rate Zeiss quality. (We actually included this lens in our article on the best lenses for Sony a7 cameras.). Before we dive head first into the Sony lens reviews, it’s important to understand what all the letters in the lens name mean. ZEISS Batis 18mm F/2.8. Legacy lenses reviewed include Canon FD, … Build quality is all-metal as to be expected from Carl Zeiss, and it’s a huge step-up from the plasticky kit lens. 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